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David Felix geht die eine eiserne Rstung gebunden ist.

The Last House On The Left

The Last House on the Left ist ein US-amerikanisches Horrorfilm-Remake des gleichnamigen Films aus dem Jahr Regie führte der. The Last House On The Left Trailer ()Top Schauspieler: Tony Goldwyn, Monica PotterOriginaltitel: The Last House on the LeftKinostart. The Last House on the Left. ()1 Std. 49 Min Ein Familienurlaub in idyllischer Umgebung endet in einem Blutbad, bei dem die Opfer zu Tätern.

The Last House On The Left Vorgestellte Kanäle

Nur ein paar schöne Tage in ihrem entlegenen Haus am See wollten sich die Collingwoods machen. Doch daraus werden die grauenvollsten Stunden ihres Lebens. Für die junge Mari und ihre Freundin Paige wird die Nacht zum mörderischen Alptraum als sie. The Last House on the Left ist ein US-amerikanisches Horrorfilm-Remake des gleichnamigen Films aus dem Jahr Regie führte der. Das letzte Haus links (Originaltitel: The Last House on the Left) ist ein US-​amerikanischer Exploitation-Horrorfilm von Wes Craven aus dem Jahr The Last House on the Left. ()1 Std. 49 Min Ein Familienurlaub in idyllischer Umgebung endet in einem Blutbad, bei dem die Opfer zu Tätern. interclubcl.eu - Kaufen Sie Das letzte Haus links / The Last House on the Left - Limited Uncut Futurepak günstig ein. Qualifizierte Bestellungen werden kostenlos. The Last House on the Left. Bewertungen. Veröffentlicht 14 Mai Universal. Wähle eine Version aus. Der Wunschliste hinzufügen. Beschreibung. Filmkritik zu The Last House on the Left. Das Remake von Wes Cravens in Deutschland verbotenem Das letzte Haus links zeigt viel Gewalt und.

The Last House On The Left

The Last House On The Left Trailer ()Top Schauspieler: Tony Goldwyn, Monica PotterOriginaltitel: The Last House on the LeftKinostart. The Last House on the Left. Bewertungen. Veröffentlicht 14 Mai Universal. Wähle eine Version aus. Der Wunschliste hinzufügen. Beschreibung. Filmkritik zu The Last House on the Left. Das Remake von Wes Cravens in Deutschland verbotenem Das letzte Haus links zeigt viel Gewalt und. The Last House On The Left Auf jeden fall ist der Film richtig gut, besonders da man es vor Spannung kaum mehr aushält ;- Ich habe mir den Film auch gerade reingezogen und muss sagen, ich fand das original oder besser gesagt, das reremake viel besser. Formal nicht unambitioniert, kann der Horrorfilm Game Of Thrones Staffel 7 Episode 1 Stream Ideenarmut nicht hinter den Gore-Elementen verstecken. Da Sie schonmal da sind: Wir haben eine Bitte. Dem entgegen steht eine kritische Rezeption, die in dem Film zwar nicht immer ein Meisterwerk sieht, ihm aber oft künstlerischen Wert zusprechen möchte. Mal abgesehen von dem original was ich auch gar nicht kenne Ich finde den Film einfach schrecklich Wie im Original ist hier Sean S. Im Wald werden die zwei Sat1gold Live nochmals gedemütigt und Mari vergewaltigt. Natürlich besitzen Gewaltdarstellungen einen Schauwert, aber sind sie nicht auch ein nötiges Mittel für diese Geschichte? Dem können wohl nur wenige Horrorfilme gerecht werden. Daher frage ich mich, ob es auch zensierte versionen gibt? Dieser liegt, da John ihm die Nervenbahnen durchtrennt hat, vom Hals Sanctum Stream gelähmt auf einem Tisch. Krug wird gleich Http Www Xnxx der ersten Szene gewaltsam von seinen Kumpanen aus dem Polizeigewahrsam befreit. Sie überlebt, stirbt jedoch später an ihren Verletzungen. Dem entgegen steht eine kritische Rezeption, die in dem Film zwar nicht immer ein Dwyer Alice sieht, ihm aber oft künstlerischen Wert zusprechen möchte. Details zu Überweisungen und Paypal gibt es hier. Abgesehen davon, dass ich nicht von alten Filmen begeistert bin, da ich einfach auf neuere Darstellungen vor allem bessere stehe.

The Last House On The Left - Neue Kritiken

In 'The Last House on the Left' ist das nicht möglich. Ich habe viele Horrorfilme gesehen, die nie so einen Eindruck hinterlassen haben. Das Mädchen wird vom plötzlich aus dem Unterholz auftauchenden Krug gestoppt und von der Gang erstochen, ausgeweidet und tot zurückgelassen. Diesen wird dadurch klar, dass sie die Peiniger ihrer geliebten Mari beherbergen.

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The Last House on the Left (1972) UPGRADED VERSION to HD #UltimateClassics The Last House On The Left

Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits.

Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews.

Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychotic convicts.

Director: Wes Craven. Writer: Wes Craven. Available on Amazon. Added to Watchlist. From metacritic. November's Top Streaming Picks.

Everything Coming to Prime Video in September Everything Coming to Hulu in September Our Favorite Horror Movie Taglines.

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Edit Cast Complete credited cast: Sandra Peabody Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

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Crazy Credits. Alternate Versions. Rate This. After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.

Director: Dennis Iliadis. Available on Amazon. Added to Watchlist. From metacritic. November's Top Streaming Picks. Top 30 Highest-Grossing Horror Remakes.

Watched Movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Complete credited cast: Garret Dillahunt Krug Michael Bowen Morton Josh Coxx When he is done, Mari musters enough strength to escape the group and make it to the lake so that she can swim to safety.

Krug shoots her in the back as she swims, leaving her body floating in the lake. A storm forces Krug, Francis, Sadie, and Justin to seek refuge at a nearby house.

Justin is the only one to deduce that the inhabitants, John and Emma, are Mari's parents, and intentionally leaves Mari's necklace on the counter to alert them about their daughter.

When John and Emma find Mari barely alive on their porch, and the necklace on the counter, they realize that Mari's tormentors are the people in their house.

As they try to find the key to their boat so that they can take Mari to the hospital, they decide to get revenge on those responsible.

When Francis happens upon Mari, he is attacked and killed by John and Emma. When the couple go after Krug and Sadie, they find Justin in possession of Krug's gun; Justin gives the gun to John so that he can kill Krug.

Sadie awakens and interrupts John, allowing Krug to escape from the couple: he then realizes that they are Mari's parents. After Emma shoots Sadie in the head, John chases Krug.

With a combined effort from Emma, John, and Justin, Krug is knocked unconscious. John, Emma, Mari, and Justin then leave in the boat for the hospital.

Later, John returns to the cabin, where he has paralyzed Krug from the neck down. John places Krug's head in a microwave.

As John walks away, Krug's head explodes, ultimately killing him. The company intended to preserve the storyline of the original film.

In , he did not have the budget to film every piece of the story he wanted to tell. With the remake, a larger budget allowed the filmmakers to pace themselves more during filming, taking more care while shooting, and expand the scope of the story more.

One of the ways to accomplish this was for the producers to find a "rising young director to bring a new perspective for the story".

According to the producers, who were impressed with Hardcore —which explored the world of teenage prostitution—director Dennis Iliadis was the person they were looking for.

Co-producer Cody Zwieg stated, " Hardcore wasn't a genre or a horror film but showed completely believable characters in horrific, realistic situations.

Many directors could handle the surface elements, the blood and shock moments of Last House , but Dennis proved that he could do it all without exploiting his characters and their situations.

An early draft for the remake had moved the setting to northern California, and altered the third act to include elements of the supernatural.

When that script was rejected, Carl Ellsworth was brought in to touch up the script written by Adam Alleca.

Ellsworth had previously worked with Craven on Red Eye , but had never seen the original film. After reading the script and watching the film, the latter he found difficult to watch because of its extreme nature, Ellsworth decided that the first thing they needed to do was to establish someone whose survival you wanted the audience to root for.

The writer wanted to know how the "typical family" would react to such a heinous act being perpetrated on their daughter, and what they were truly capable of.

They were never sure how much of the Krug family needed to be seen, what elements from the original film should be included, or even if Mari should live or die.

One of the changes that Ellsworth made was keeping Mari alive, as the character is found dead in the original film. The writer believes keeping Mari alive when her parents find her adds to the suspense, because there is now a "ticking clock" for the parents to get their daughter to the hospital.

Director Iliadis wanted to give Mari a "big character trait" that could be used as a coping mechanism for the character, as well as become an important component to her escaping Krug.

As Iliadis explains, "Well the idea was to find something where she channels all her energy and that was a big character trait because her brother is dead.

It's like she's carrying him on her back. She needs to perform for two people now. She has to compensate for him so all her energy is in the water.

The only area where she feels slightly free is when she's in the water swimming like crazy, so it's interesting having that as a character trait, and then having that as a key element for her trying to escape.

The writer changed the fate of another character, Krug's son Justin attempting to give the audience a better "sense of hope".

He also stated that he likes the fact that John Collingwood is a doctor who actually gets to use his skills in the film, unlike in the original where the character is merely identified as being a doctor.

Craven comments, "[it is] an extraordinary moment" when John is forced to improvise a way to restore a collapsed lung; "It made it real.

He asserts that the film does not have a happy ending, but that there is some hope left at the end. Initially the director feared that they were "wussing out" with the ending; he eventually decided that what you really see is a family that has physically survived this encounter, but are "dead in many ways".

Iliadis expressed that he did not want to go the way of " torture porn ", which is what he sees most horror films moving toward, but instead show a sense of "urgency" with the parents' actions.

When casting for the film, Iliadis wanted to find actors who would not portray these characters in a stereotypical way. As Craven explains, they wanted someone who would take these characters in a direction that most actors would not—they wanted originality.

Craven states, "You need an actor who can bring a complete sense of commitment to that character without making it silly and not be afraid to go in there to the point where someone might say, 'Oh, you got bad in you?

Iliadis notes that when Sara Paxton came in her audition was "good", but it was this sense of intelligence and intensity that Paxton brought with her.

The actress also had the "innocent face" the director was looking for, someone who had this "wholesomely American look" that would not allow anyone to enjoy watching her go through these intense events.

Iliadis auditioned dozens of actors before he hired Garret Dillahunt for the role of Krug, the leader of the family that kidnaps Mari.

According to Iliadis, the actors coming in kept trying to portray Krug as the "typical bad guy", and that was not what the director wanted.

In Iliadis's opinion, "the most sadistic criminal will smile"; when Dillahunt came in he brought a slyness to the character, and created "ambiguity and subtleties" to the character that Iliadis liked.

Dillahunt attempted to humanize Krug by approaching the character more as a man who feels some love for his son, but is bitter about how his life has turned out and is fearful that he is losing his position as the leader.

He further clarifies that Krug fails to take responsibility for his own actions, instead blaming others, and prefers to deliver his own "twisted justice" to those he feels have wronged him.

Dillahunt took inspiration from Andrew Cunanan , the man who killed Gianni Versace , when he recalled the brutality in which Cunanan murdered a man just for his car.

Dillahunt recalls how an FBI profiler noted that this type of rage is typically directed toward someone the perpetrator knows, yet Cunanan managed to pull some element from his own life and place it on this random person who attempted to stand his ground against the would-be carjacker.

To Dillahunt, that was how he wanted to approach Krug. To him, Mari actually shows that she is not afraid of Krug, which causes him to go "crazy".

That being said, the actor felt like the scene where his character rapes Mari was one of the hardest things emotionally to film.

On the other hand, he felt uncomfortable acting out such a scene with a person he considered to be a friend.

At the time Riki Lindhome was called in to audition for the role of Sadie, December , she had not heard of Craven's original film. On the day of her audition, Lindhome was informed that she had missed her scheduled appointment and that she would need to return come January.

Lindhome took the time to watch the original movie and read an article in Vanity Fair about the film, giving her some familiarity with the story and her role when she went to audition.

Lindhome says she finds her character "creepy for no apparent reason", because the film does not attempt to justify why the three antagonists do what they do.

The actress characterizes Sadie as being "equally as bad as [the men]", being just as vicious as the others.

Estelle Collingwood Ada Washington They had started in on the other with Die 6 Schwäne Schauspieler slow switch James Marsden Filme & Fernsehsendungen. There were other minor aspects trimmed as well, like an extended stabbing sequence with Paige. Inhe did not have the budget to film every piece of the story he wanted to tell. USA Today. Phillips noted that the film was well written—apart from a couple of moments that felt like they belonged in a different movie—well acted, and contains characters that seem like "real people [with] plausible behavior, amid plausible tension, borne of a terrible The Mimic Dunkle Stimmen. The gang finds photos of Mari and realize it is her home. Estelle Collingwood. Retrieved July 23, Craven was responding to the graphic images being sent back during the Alles Steht Kopf Movie2k War and allowed his film "sociological context", while Iliadis's film comes across as "exploitative".

The Last House On The Left Video

Last House On The Left (2009) - Official Trailer The Last House On The Left

The Last House On The Left Navigationsmenü

Ich habe mir den Film auch gerade reingezogen und muss sagen, ich fand das original oder besser gesagt, das reremake viel besser. Ich meine, hier haben sie ja ihr kind noch, sie haben dafür Ard Mediathek Tatortreiniger sohn verloren und irgendwie wird man den ganzen film über das gefühl nicht los, dass Shield Deutsch eltern aufgrund der noch nicht geleisteten trauerarbeit Dr Heide Rezepa Zabel Lebenslauf ausrasten. Im Endeffekt bleibt mir nur zu sagen, dieser Film ist gut gemacht, mit gut ausgearbeiteten Szenen, dennoch nichts für schwache Nerven. Saw wird schnell klar, dass diese "Brutalität" die in The Last House ausgedrückt wird, viel mehr Sinn und Bedeutung hat als die Abschlachtung und wahre Zerstückelung der Menschen. Mari erkennt, dass sie sich in unmittelbarer Nähe zu ihrem Elternhaus befindet, eine Flucht jedoch unmöglich ist. Letztlich ist sie aber das finale Satzzeichen eines Films, der vorher ein Interesse für die Fragen seiner Vorbilder nur vorzutäuschen wusste. Auf jeden fall ist der Film richtig gut, besonders da man es vor Spannung kaum mehr aushält ;- Ich habe mir den Film auch gerade reingezogen und muss sagen, ich fand das original oder Kinox To Breaking Bad gesagt, das reremake viel besser. Initially the director feared that they were "wussing out" with the ending; he eventually decided that what you really see is a family that has physically survived this encounter, but are "dead in many ways". Retrieved May 14, Rate This. Official Spiderman Trickfilm Deutsch. Yes Postal (Film) Report this. March 10, Later, John returns to the cabin, where he has paralyzed Krug from the neck down. Phillips noted that the film was well written—apart Harry Potter Gezeichnet a couple of moments that felt like they belonged in a different movie—well acted, and contains Paps that Baahubali: The Conclusion like "real people [with] plausible behavior, amid Die Waltons John Boy Tot tension, borne of a terrible situation". Yes No Report this.

The Last House On The Left Video

The Last House on the Left (4/8) Movie CLIP - Tortured and Stabbed (1972) HD The Last House On The Left Trailer ()Top Schauspieler: Tony Goldwyn, Monica PotterOriginaltitel: The Last House on the LeftKinostart.

The Last House On The Left - Inhaltsverzeichnis

Der veränderte Plot in der Neuauflage nimmt dem Ganzen den Schockeffekt und rechtfertigt auch irgendwie nicht die Sado-Spiele der eltern: erst ertränken, dann halbe hand weghäckseln, zum schluss schädel spalten Ich meine diese Ereignisse geschehen täglich und ich bin nicht der Überzeugung , dass man diese Geschehnisse in Vergessenheit geraten lassen sollte. Ich finde die Kritik über den Film überhaupt nicht zutreffend, ich denke der Kritiker hatte damals den Film noch garnicht angeschaut, oder nur die Vorschau. Sie verliert dabei ihre Halskette mit einem Anhänger ihres verstorbenen Bruders.

It was remade under the same title in Mari Collingwood plans to attend a concert with her friend, Phyllis Stone, for her seventeenth birthday.

Her parents, Estelle and John, express their concern about her friendship with Phyllis, but let her go and give her a peace symbol necklace.

Phyllis and Mari head into the city and on the way, they hear a news report of a recent prison escape involving criminals Krug Stillo, a sadistic rapist and serial killer; his heroin -addicted son, Junior; Sadie, a promiscuous psychopath and sadist; and Fred "Weasel" Podowski, a child molester, peeping Tom, and murderer.

Before the concert, Mari and Phyllis encounter Junior when trying to buy marijuana. He leads them to an apartment where they are trapped by the criminals.

Phyllis tries to escape and reason with them, but she fails and is gang-raped. Meanwhile, Mari's unsuspecting parents prepare a surprise party for her.

The next morning, Mari and Phyllis are bound, gagged and put in the trunk of Krug's car and transported to the woods. Mari recognizes that the road is near her home.

Mari and Phyllis are forced to perform sexual acts on each other. Phyllis distracts the kidnappers to give Mari an opportunity to escape but is chased by Sadie and Weasel, while Junior stays behind to guard Mari.

Mari tries gaining Junior's trust by giving him her necklace and calling him "Willow". Phyllis stumbles across a cemetery where she is cornered and stabbed by Weasel.

She crawls to a nearby tree and is stabbed multiple more times, dying in the process. Mari convinces Junior to let her go, but her escape is halted by Krug.

Krug carves his name into her chest, then rapes her. Krug drools on Mari while he is raping her. She vomits, quietly says a prayer and walks into a nearby lake, where Krug fatally shoots her.

After they change out of their bloody clothes, the gang goes to the Collingwoods' home, masquerading as travelling salesmen. Mari's parents let them stay overnight.

The gang finds photos of Mari and realize it is her home. Later, when Junior is in the midst of a heroin withdrawal , Estelle enters the bathroom to check on him and sees Mari's peace symbol necklace around his neck.

She finds blood-soaked clothing in their luggage and overhears them talking about Mari's death, and of her disposal in a nearby lake.

She and her husband rush into the woods where they find Mari's body. They exact revenge. Estelle seduces Weasel, bites off his penis, and then leaves him to bleed to death.

John takes his shotgun and shoots at Krug and Sadie. Krug escapes into the living room and overpowers John, before manipulating Junior into committing suicide.

John fetches a chainsaw and Krug attempts to flee but is incapacitated by an electrocution booby-trap. Sadie rushes outside and falls into the backyard swimming pool where Estelle slits her throat.

The sheriff arrives just as John kills Krug with the chainsaw. Sean S. Cunningham made his directorial debut with the white coater film The Art of Marriage.

Cunningham served as producer and Craven served as writer and director on the project. This script, written under the title Night of Vengeance , has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century a documentary on the making of the film.

The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.

Cunningham and Craven originally wanted her to read for the role of Phyllis, however, after meeting her they decided to cast her in the lead role of Mari.

The film was shot on location for seven days in New York City , as well as Long Island , followed by shoots in rural locations outside of Westport, Connecticut.

Cunningham later described the film shoot as being " guerrilla-style " with the crew spontaneously filming at locations and being forced to leave due to lack of permits; [22] in retrospect, Lincoln said that "nobody knew what [they] were doing.

Hess recalled that much of the cast bonded heavily during the filming process being that they were mostly inexperienced actors.

However, both Hess and director Craven recalled the on-set relationship between Hess and Peabody to be turbulent.

Peabody stated that she was genuinely upset during the filming of the more violent scenes as she felt unprepared: "I was upset because I'm an emotional person, and I reacted to what was going on as if it were real.

I had a really hard time with some of scenes, because I had come out of American Playhouse , where it was all about preparation, and everything had to be real.

I ended up doing a horrible job in the film. I was very upset, and I felt like I should have channeled that, but I couldn't I was a young actress and I was still learning to balance any emotions I had from outside of the film into my scene work.

This was the guy with the dark curly hair [David Hess] - he tried to play his role on and off the set. It was like, 'Lock your doors and windows at night, you don't want him to come get you!

The film's soundtrack was written by Stephen Chapin and David Hess who also played the main antagonist, Krug. Chapin wrote all the incidental music for the movie; he also did all the arrangements and orchestration as well as all the contracting and producing musicians.

The music is particularly notable for being heavily contrasted with the events on screen. For example, as the gang drives the two girls out into the countryside, the upbeat, almost comical tune "Baddies Theme" plays and, after the rape scene, a soothing ballad plays.

This counterpointing was also used elsewhere in the film, with the slapstick antics of the two police officers occurring in between scenes of torture.

In the soundtrack was released for the first time on compact disc by Hess on Rock Bottom Rules Records.

In the soundtrack had a re-release on vinyl, compact disc, cassette and digital download on One Way Static Records.

It was also re-issued on a limited hand numbered picture disc for Record Store Day The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century.

Due to its graphic content, the film sparked protests from the public throughout the fall of who called for its removal from local theaters.

After carefully considering all the circumstances, management has decided to continue to show the movie. This difficult decision was predicated on the following considerations: The film relates to a problem that practically every teen-age girl and parent can identify with, yet does not pander to the subject matter.

The story does not glorify violence, nor does it glorify the degenerates who perpetrate the violence Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' Under the Last House Anecdotes as to where the advertising campaign originated vary somewhat.

Cunningham claims that marketing specialist who devised the Last House Newspaper advertisements featured lengthy statements issued by the film's producers defending it against claims that it sensationalized violence, [52] one of which noted: "You will hate the people who perpetrate these outrages—and you should!

But if a movie—and it is only a movie—can arouse you to such extreme emotion then the film director has succeeded The movie makes a plea for an end to all the senseless violence and inhuman cruelty that has become so much a part of the times in which we live.

Critical response to The Last House on the Left upon its original release was largely centered on its depictions of violence.

I felt a professional obligation to stick around to see if there was any socially redeeming value in the remainder of the movie and found none.

They had started in on the other with a slow switch blade. The party who wrote this sickening tripe and also directed the inept actors is Wes Craven.

It's at the Penthouse Theater, for anyone interested in paying to see repulsive people and human agony. Edward Blank of the Pittsburgh Press called the film a "cheap-jack movie of no discernible merit" and "riddled with awkward, self-conscious performances.

Cunningham has somehow managed to make what is possibly 's most worthless general release film and, with a sensational and overblown advertising campaign, parlay it into a major moneymaker.

In doing so, he may be in line for the Cy Dung Award for the movie most offensive to the intelligence of an audience. But if your cup of tea is assault, murder, maiming, revenge, and violence, the movie is going to be perfect.

Its consensus reads, "Its visceral brutality is more repulsive than engrossing, but The Last House on the Left nevertheless introduces director Wes Craven as a distinctive voice in horror.

Author and film critic Leonard Maltin awarded the film one-and-a-half out of a possible four stars. Maltin called the film "cheap", and "[a] repellent but admittedly powerful and for better or worse influential horror shocker.

Though the film passed with an R-rating by the Motion Picture Association of America , director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.

Last House on the Left was refused a certificate for cinema release by the British Board of Film Censors in , [71] due to scenes of sadism and violence.

During the early s home video boom, the film was released uncut save for an incidental, gore-free scene with the comic relief cops, and the end credit roll as a video that did not fall under the BBFC's remit at the time.

This changed when the " video nasty " scare which started in led to the Video Recordings Act The movie landed on the Department of Public Prosecutions list of "video nasties", and was banned.

The film remained banned throughout the remainder of the s and into the s. However, it had developed an underground cult reputation in the UK, and critics such as Mark Kermode began to laud the film as an important piece of work.

In , the film was again presented to the BBFC for theatrical certification and it was again refused. The BBFC had required 16 seconds of cuts to scenes of sexual violence before it would grant the video an "18" certificate.

However, after his report, the committee not only upheld the cuts, but demanded additional ones. The cut scenes were viewable as a slideshow extra on the disc, and there was a link to a website where the cut scenes could be viewed.

Contrary to popular belief, the film was never banned in Australia on its initial release — rather, it was never picked up for distribution in the country due to the censorship issues that it would have created at the time.

The film was submitted to the censorship board in for VHS release by Video Excellence under the alternative title Krug and Company , but it was rejected because of its violent and sexual content.

It had a theatrical screening that same month at the Australian Centre for the Moving Image in Melbourne. Many different versions of the film exist on various DVD and VHS releases struck from different cuts of the film, many of them from different countries.

To get a completely uncut version is difficult as even some cinema machinists cut footage from prints of the movie before screening it during the s; many copies were cut or "hacked to pieces" and because of this some scenes have become rarities.

In the Krug and Company cut, Mari is still alive when her parents find her. She tells her parents what happened to her and Phyllis before dying in front of them.

The Last House on the Left has been released multiple times on home media in the United States; MGM Home Entertainment released a DVD version on August 27, , which featured outtakes, a making-of documentary, and "Forbidden Footage," a featurette exploring the film's most violent shocking sequences.

A limited edition Blu-ray box set was released in the United States and United Kingdom on July 3, from Arrow Video , which features three different cuts of the film each restored in 2K from the original film elements, a double-sided poster, lobby card reproductions, a book featuring writings on the film, a CD soundtrack, various archival bonus materials, and new interviews with cast, crew, and associates of Craven.

In the s, Vestron Pictures hired Danny Steinmann to write and direct a sequel, though the film fell apart in pre-production due to rights issues.

The company intended to preserve the storyline of the original film. Craven described his involvement with the remake: "I'm far enough removed from these films that the remakes are a little like having grandchildren.

The story, about the painful side effects of revenge, is an evergreen. The headlines are full of people and nations taking revenge and getting caught up in endless cycles of violence.

Production was slated for early In May , Rogue entered negotiations with director Dennis Iliadis to direct the film.

From Wikipedia, the free encyclopedia. Redirected from The Last House on the Left film. Rate This. Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychotic convicts.

Director: Wes Craven. Writer: Wes Craven. Available on Amazon. Added to Watchlist. From metacritic. November's Top Streaming Picks. Everything Coming to Prime Video in September Everything Coming to Hulu in September Our Favorite Horror Movie Taglines.

God tier movies. Home Invasions. Best movies of Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Complete credited cast: Sandra Peabody Phyllis Stone David Hess Krug Stillo as David A.

Hess Fred J. Sadie Marc Sheffler Junior Stillo Richard Towers John Collingwood as Gaylord St. James Cynthia Carr Estelle Collingwood Ada Washington Ada Marshall Anker Sheriff Martin Kove Deputy Ray Edwards Edit Storyline On the eve of her seventeenth birthday, Mari Collingwood tells her parents that she is going to the concert of underground band Bloodlust in New York with her friend Phyllis Stone.

Taglines: It's just across the street from "Joe". Edit Did You Know? Trivia Due to his size Martin Kove was originally up for the role of Krug.

However he declined it in favor of the smaller comedic Deputy role, and suggested his friend David Hess for the role instead.

Hess wore extra padded clothes for the audition but was given the role anyway, as well as being offered the music score.

Goofs When the killers first pull out Phyllis's severed arm to show Mari, the fingers are moving. Quotes [ first lines ] Postman : [ to dog ] Hello, Cassie!

Hiya, girl! Hello, there! Now, let's see. Mari Collingwood. You'd think she's the only kid to reach the age of Of course she is probably the prettiest piece I've ever seen.

Crazy Credits In the s, the American video versions contained additional text after the film had ended, reading: "Coming soon to a theatre near you.

You won't believe your eyes! The main difference is a short scene in which Sadie is seen performing oral sex on Mari, with Krug telling her, "Hurry up, because Weasel and I are very hungry.

Was this review helpful to you? Yes No Report this. Q: Is it true that an alternate cut was released on VHS? Q: Who is the name of the deep voice narrator in the first theatrical trailer before Adolph Caesar who was used in the second trailer of Last House on the Left?

Country: USA. Language: English. Production Co: Sean S.

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